My art lives in the space between a photograph and a painting — and that’s exactly where I want it.

My medium is digital, but what I make has always felt closer to painting than photography to me. It isn’t quite either, and that in-between space is where the work comes alive for me — images that carry the detail and light of a photograph and the expressive quality of my painter’s hand.

This approach grew naturally from my early training as a painter and more than two decades spent working as a landscape designer and photographer, where close observation and a sensitivity to living things became second nature. As I got deeper into photography, Photoshop became the place where I could bring those instincts together, letting intuition guide me as much as technique.

I’m especially fascinated by the ways animals communicate without words through expression, gesture, and attention. There are rich, subtle conversations happening for those willing to notice. A goat’s sidelong glance. A chicken mid-thought. A horse in a moment of absolute stillness. They’re individuals with inner lives, and I treat them that way.

By highlighting that individuality, I hope my work encourages us to reconsider our relationships with the beings we share this world with — to move toward greater compassion, respect, and understanding for all living things.

Every piece I make is a little bit real, a little bit imagined. Whether animals or plants, they are a synthesis shaped by curiosity, empathy, and a desire to look deeper. My hope is that my images invite you to do the same.

Welcome. Come meet the animals and stroll in the gardens.